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Audience Perception of Dance in a Musical Theatre Production.
Jessica Swinburn.
Bibliography
Adshead-Lansdale, J. (ed.) (1999a) Dancing texts: Intertextuality in interpretation. 23rd edn. London: Dance Horizons.
Amans, D. (2008) An introduction to community dance practice. New York: Palgrave Macmillan.
Beddow, N. (2001) Turning Points: The Impact of Participation in Community Theatre. South West Arts: Acta Community Theatre.
Bennett, S. (1990) Theatre audiences. London. Routledge.
Briginshaw, V. A. (2009) Dance, space and subjectivity. 2nd edn. Basingstoke: Palgrave Macmillan.
Changing Minds. 2016. Two way communication. Words, Music and Dance. [ONLINE] Available at: http://changingminds.org/disciplines/communication/words_music_dance.htm. [Accessed 20 January 16].
CMe. 2009. Telling a Story through Dance. [ONLINE] Available at: http://takeabreak.over-blog.net/article-telling-a-story-through-dance-39901423.html. [Accessed 03 February 16].
Counsell, C. and Wolf, L. (eds.) (2001a) Performance analysis: An introductory Coursebook. New York: Taylor & Francis.
Daniel Chandler. 2014. Semiotics for Beginners. [ONLINE] Available at: http://visual-memory.co.uk/daniel/Documents/S4B/sem01.html. [Accessed 10 November 15].
Davis, J. and Emeljanow, V. (2001) Reflecting the audience: London Theatregoing, 1840-1880 (studies in theatre, history & culture). United Kingdom: University of Hertfordshire Press.
Dictionary.com. 2016. semiotics. [ONLINE] Available at: http://www.dictionary.com/browse/semiotics. [Accessed 16 November 15].
Dr. Eric W. Trumbull, Professor, Theatre/Speech. 2007. The Audience and the Theatre. [ONLINE] Available at: http://novaonline.nvcc.edu/eli/spd130et/audthea.htm. [Accessed 06 January 16].
FILM REFRENCE. 2016. Reception Theory. [ONLINE] Available at: http://www.filmreference.com/encyclopedia/Independent-Film-Road-Movies/Reception-Theory.html. [Accessed 11 January 16].
Jan Nargi. 2009. 'Movin' Out' Tells the Story of Movin' On. [ONLINE] Available at: http://www.broadwayworld.com/boston/article/Movin-Out-Tells-the-Story-of-Movin-On-20090321. [Accessed 28 October 15].
Jennifer Morrow. 2012. Audience perceptions are the foundation of a memorable brand: 2. [ONLINE] Available at: http://www.optimizemybrand.com/2012/10/25/audience-perceptions-are-the-foundation-of-a-memorable-brand/. [Accessed 08 January 16].
Johnny Nevin. 2013. A Light in the Dark: Telling a Story in Dance. [ONLINE] Available at: http://www.huffingtonpost.com/johnny-nevin/a-light-in-the-dark_b_2762517.html. [Accessed 18 February 16].
Kaitlyn Weedman. 2012. Communication through Dance. [ONLINE] Available at: https://prezi.com/shrq-asjyh6-/communication-through-dance/. [Accessed 12 January 16].
LYNDSEY WINSHIP. 2014. Choreographer Drew McOnie on reinvigorating dance theatre. [ONLINE] Available at: http://www.standard.co.uk/goingout/theatre/choreographer-drew-mconie-on-reinvigorating-dance-theatre-9090103.html. [Accessed 10 February 16].
Mark Brown, arts correspondent. 2013. Survey of theatre-going intentions throws up surprising results. [ONLINE] Available at: http://www.theguardian.com/stage/2013/sep/26/teenagers-theatre. [Accessed 16 October 15].
Nicola Merrifield. 2013. Dance compant launched to bring together musical theatre and dance audiences. [ONLINE] Available at: https://www.thestage.co.uk/news/2013/dance-company-launched-bring-together-musical-theatre-dance-audiences/. [Accessed 25 September 15].
Payne, M. (1993) Reading theory: An introduction to Lacan, Derrida and Kristeva. Oxford: Blackwell Publishers.
Reason, Matthew. 2004. Theatre Audience and Perceptions of 'Liveness' in Performance . [ONLINE] Available at: http://www.participations.org/volume%201/issue%202/1_02_reason_article.htm. [Accessed 04 December 15].
Richard Nordquist. 2016. Semiotics. [ONLINE] Available at: http://grammar.about.com/od/rs/g/semioticsterm.htm. [Accessed 03 December 15].
Sanjoy Roy. 2014. Musicals we love: Some Like It Hip Hop. [ONLINE] Available at: http://www.theguardian.com/stage/2014/feb/24/musicals-we-love-some-like-it-hip-hop. [Accessed 11 March 16].
SERCHE96. 2015. TELLING STORIES THROUGH THE FORM OF DANCE?. [ONLINE] Available at: https://thatweirdside.wordpress.com/2015/04/08/telling-stories-through-the-form-of-dance/. [Accessed 01 March 16].
Shiach, D. (1987) From page to performance: A study book for drama. Cambridge: Cambridge University Press.
signsalad. 2013. Semitoics explained. [ONLINE] Available at: http://www.signsalad.com/semiotics-explained/. [Accessed 20 October 15].
Sophie Novak. 2016. Intertextuality As A Literary Device. [ONLINE] Available at: http://thewritepractice.com/intertextuality-as-a-literary-device/. [Accessed 01 February 16].
Van Leeuwen, T. (2004) Introducing social Semiotics: An Introductory textbook. 1st edn. London: Routledge.
Youtube. (2013) The Sound of Music- Maria and the Captain dance the Laendler. [ONLINE] Available at: https://www.youtube.com/watch?v=qUfWRBGQkz0 [Accessed 07 January 16].
Youtube. (2013) Oklahoma! – Dream Ballet (Complete) [ONLINE] Available at: https://www.youtube.com/watch?v=2D1loAVwiMc [Accessed 07 January 16].
Refrences
Adshead-Lansdale, J. (ed.) (1999a) Dancing texts: Intertextuality in interpretation. 23rd edn. London: Dance Horizons.
Amans, D. (2008) An introduction to community dance practice. New York: Palgrave Macmillan.
Beddow, N. (2001) Turning Points: The Impact of Participation in Community Theatre. South West Arts: Acta Community Theatre.
Bennett, S. (1990) Theatre audiences. London. Routledge.
Briginshaw, V. A. (2009) Dance, space and subjectivity. 2nd edn. Basingstoke: Palgrave Macmillan.
Changing Minds. 2016. Two way communication. Words, Music and Dance. [ONLINE] Available at: http://changingminds.org/disciplines/communication/words_music_dance.htm. [Accessed 20 January 16].
CMe. 2009. Telling a Story through Dance. [ONLINE] Available at: http://takeabreak.over-blog.net/article-telling-a-story-through-dance-39901423.html. [Accessed 03 February 16].
Daniel Chandler. 2014. Semiotics for Beginners. [ONLINE] Available at: http://visual-memory.co.uk/daniel/Documents/S4B/sem01.html. [Accessed 10 November 15].
Dictionary.com. 2016. semiotics. [ONLINE] Available at: http://www.dictionary.com/browse/semiotics. [Accessed 16 November 15].
Dr. Eric W. Trumbull, Professor, Theatre/Speech. 2007. The Audience and the Theatre. [ONLINE] Available at: http://novaonline.nvcc.edu/eli/spd130et/audthea.htm. [Accessed 06 January 16].
FILM REFRENCE. 2016. Reception Theory. [ONLINE] Available at: http://www.filmreference.com/encyclopedia/Independent-Film-Road-Movies/Reception-Theory.html. [Accessed 11 January 16].
Jan Nargi. 2009. 'Movin' Out' Tells the Story of Movin' On. [ONLINE] Available at: http://www.broadwayworld.com/boston/article/Movin-Out-Tells-the-Story-of-Movin-On-20090321. [Accessed 28 October 15].
Jennifer Morrow. 2012. Audience perceptions are the foundation of a memorable brand: 2. [ONLINE] Available at: http://www.optimizemybrand.com/2012/10/25/audience-perceptions-are-the-foundation-of-a-memorable-brand/. [Accessed 08 January 16].
Johnny Nevin. 2013. A Light in the Dark: Telling a Story in Dance. [ONLINE] Available at: http://www.huffingtonpost.com/johnny-nevin/a-light-in-the-dark_b_2762517.html. [Accessed 18 February 16].
Kaitlyn Weedman. 2012. Communication through Dance. [ONLINE] Available at: https://prezi.com/shrq-asjyh6-/communication-through-dance/ [Accessed 12 January 16].
LYNDSEY WINSHIP. 2014. Choreographer Drew McOnie on reinvigorating dance theatre. [ONLINE] Available at: http://www.standard.co.uk/goingout/theatre/choreographer-drew-mconie-on-reinvigorating-dance-theatre-9090103.html. [Accessed 10 February 16].
Mark Brown, arts correspondent. 2013. Survey of theatre-going intentions throws up surprising results. [ONLINE] Available at: http://www.theguardian.com/stage/2013/sep/26/teenagers-theatre . [Accessed 16 October 15].
Nicola Merrifield. 2013. Dance compant launched to bring together musical theatre and dance audiences. [ONLINE] Available at: https://www.thestage.co.uk/news/2013/dance-company-launched-bring-together-musical-theatre-dance-audiences/. [Accessed 25 September 15].
Payne, M. (1993) Reading theory: An introduction to Lacan, Derrida and Kristeva. Oxford: Blackwell Publishers.
Reason, Matthew. 2004. Theatre Audience and Perceptions of 'Liveness' in Performance . [ONLINE] Available at: http://www.participations.org/volume%201/issue%202/1_02_reason_article.htm. [Accessed 04 December 15].
Richard Nordquist. 2016. Semiotics. [ONLINE] Available at: http://grammar.about.com/od/rs/g/semioticsterm.htm. [Accessed 03 December 15].
Sanjoy Roy. 2014. Musicals we love: Some Like It Hip Hop. [ONLINE] Available at: http://www.theguardian.com/stage/2014/feb/24/musicals-we-love-some-like-it-hip-hop. [Accessed 11 March 16].
SERCHE96. 2015. TELLING STORIES THROUGH THE FORM OF DANCE?. [ONLINE] Available at: https://thatweirdside.wordpress.com/2015/04/08/telling-stories-through-the-form-of-dance/. [Accessed 01 March 16].
Shiach, D. (1987) From page to performance: A study book for drama. Cambridge: Cambridge University Press.
signsalad. 2013. Semitoics explained. [ONLINE] Available at: http://www.signsalad.com/semiotics-explained/. [Accessed 20 October 15].
Sophie Novak. 2016. Intertextuality As A Literary Device. [ONLINE] Available at: http://thewritepractice.com/intertextuality-as-a-literary-device/. [Accessed 01 February 16].
Van Leeuwen, T. (2004) Introducing social Semiotics: An introductory textbook. 1st edn. London: Routledge.